Tuesday, March 24, 2026
MediaNews4U
  • Exclusive
  • Advertising
  • Media
    • Radio
    • Cable & DTH
    • Print
    • Digital Frontier
    • Gaming Nexus
  • Television
  • OTT
  • Ad-Tech
  • Marketing
  • Campaigns
  • Analysis
  • Opinion
    • Opinion
    • Think Through
    • Prescience 2023
    • Prescience 2024
  • People
  • Events
    • Leader Speak
    • STRAIGHT TALK
    • Gamechangers
    • Print & TV Summit
MediaNews4U
  • Exclusive
  • Advertising
  • Media
    • Radio
    • Cable & DTH
    • Print
    • Digital Frontier
    • Gaming Nexus
  • Television
  • OTT
  • Ad-Tech
  • Marketing
  • Campaigns
  • Analysis
  • Opinion
    • Opinion
    • Think Through
    • Prescience 2023
    • Prescience 2024
  • People
  • Events
    • Leader Speak
    • STRAIGHT TALK
    • Gamechangers
    • Print & TV Summit
MediaNews4U.com
Home Featured

Convenience and Content are the reasons why consumers switch to OTT content: Comscore Report

by MN4U Bureau
September 22, 2021
in Featured, OTT
Reading Time: 4 mins read
A A
Comscore Adds CTV Measurement to Video Metrix Multi-Platform in India
Share Share ShareShare

Improved connectivity, cheap hardware and data plans, a large pool of potential subscribers, and a string of national lockdowns have turbocharged the adoption of OTT services in India, states Comscores’s OTT in India: Full Stream Ahead report.

As per the report, Consumers do not hide their infatuation with the TV screen: roughly 57% of those who watch TV admit that they are addicted to TV. Yet the availability of TV content through the internet is changing consumer behaviors. When prompted, 60% of those who watch TV answered that online TV streaming services have changed the way that they watch television. In addition, 61% say that thanks to the availability of online TV streaming, they watch more TV than they used to.

Self-reported estimates of the percentage of viewing time that shifted from traditional TV to OTT content give an idea of how much progress – and how much more importance within the media mix – OTT has gained in recent times: for 27% of respondents the answer was between 21% and 40%. For 41% of respondents, the answer lies anywhere between 21% and 60%.

But why do consumers switch to OTT content in the first place?

The answer to that question boils down to two words: convenience and content.In fact, convenience emerges in various forms, with definitions that overlap:

  • For 19% of respondents, the ability to access content both anytime and anywhere is the most important reason to consume OTT content;
  • For another 12%, the ability to watch at a time that suits them is the most important reason
  • And for another 12%, the ability to watch at a place that suits them is the main factor.

Taken together, the convenience of consuming content at a time and/or place that suits is the deciding factor for44% of respondents. This emphasis on convenience probably may well stem from the fact that only two-thirds of households (or 200 million households) possess a TV set, according to the Broadcast Audience Research CouncilIndia (BARC). With an average of 5 individuals per household, watching your favorite content can be a challenge. On the other hand, OTT content can easily be accessed through mobile devices, PCs, and laptops, which are cheaper and more widespread – approximately 470 million individuals accessed the internet either through a mobile or desktop device in July 2021; and almost 265 million of them accessed one of India’s OTT platforms either through a mobile or desktop device.

Another deciding factor is content, with 35% of respondents highlighting its importance in our survey: 14% find that better content is the most important reason; 11% think that a ‘wide content selection’ is the most important thing; for 6%, it is ‘new/fresh content’; and for 5% it is ‘content not available elsewhere. Based on the above statistics, it is tempting to conclude that quality trumps exclusivity. Yet with a marketplace that counts over 40 OTT providers and counting, the question is how to differentiate from competitors.

The key lies in OTT’s fragmented audience – in terms of content preferences, languages, cultures, and so on. Less than half of respondents (precisely 43%) favor content in Hindi, one of the official languages in India. Other vernaculars such as Tamil, Telugu, Bengali, or Marathi are the preferred language for 5%to 8% of respondents.

38 percent of respondents preferred Comedy content followed by action genre with 31 percent. For 25 percent of respondents, Reality shows were the preferred content followed by Drama content for 24 percent.

Despite the size of the market, the need for customized content could well increase costs while hindering economies of scale. Given the degree of competition within the market, pricing requires a delicate balancing act. On that front, there are encouraging signs: as the table below shows, the proportion of OTT consumers who spent least (i.e. up to INR 50 per month) decreased from 24% to 17%, while those who spend more than INR 201 increased from 41% to46% during the same period. Put simply, the pandemic has prompted customers to open their wallets and spend more on OTT content. Still, if market share is the name of the game, we expect OTT providers in India to experiment aggressively with monetization models to increase the average revenue per user and fund new content creation.

If pricing acts as a constraint on the supply side, technical issues also hamper the demand side. As the chart below shows, high data consumption and low internet speed are still flagged as the main pain points by consumers. While huge progress has been made in recent years – particularly in rural areas, much work remains to connect the remaining half-billion consumers.

Watching content through internet-connected devices is gradually encroaching into the time and space dedicated to traditional media. This is, in fact, a worldwide trend. But the size of the market in India puts India in a unique position to define the future of OTT: for international OTT providers, it is the market to conquer, and much resourcefulness will be needed to be successful; for domestic players who have carved a sizeable market share, it may well be the springboard for international expansion. All OTT service providers must address the challenges of acquiring a huge catalog of quality content, tailored to a myriad of languages and cultures. Moreover, they must ensure that said catalog can be delivered through digital networks of varying degrees of speed and reliability. But as the country keeps investing in its digital infrastructure and as the population grows richer, those who succeed may well find that they have transformed the entire industry in their wake.

Tags: ComScore

RECENT POSTS

Amazon MX Player launches ‘Fatafat’ to bring free micro-dramas to Indian audiences
OTT

Amazon MX Player launches ‘Fatafat’ to bring free micro-dramas to Indian audiences

March 23, 2026
0

Mumbai: Amazon MX Player has announced the launch of ‘Fatafat’, a new micro-drama destination aimed at mobile-first audiences, marking its...

Read moreDetails
India’s micro-drama market hits $300 million in year one; interactive media economy reaches $13.8 billion: Lumikai report
Media

India’s micro-drama market hits $300 million in year one; interactive media economy reaches $13.8 billion: Lumikai report

March 23, 2026
0

New Delhi: Lumikai has released its fifth edition of the State of India Interactive Media Report 2025, revealing that India’s...

Read moreDetails
ICC Men’s T20 World Cup 2026 final draws 135 million viewers on JioHotstar; Thums Up, Haier, Hyundai lead ad race: COTT
OTT

ICC Men’s T20 World Cup 2026 final draws 135 million viewers on JioHotstar; Thums Up, Haier, Hyundai lead ad race: COTT

March 20, 2026
0

Mumbai: India’s victorious campaign at the ICC Men's T20 World Cup 2026 culminated in a high-impact final that attracted 135...

Read moreDetails
Studio9 makes OTT debut with Jazz City, marks entry with Sony LIV’s Bengali espionage thriller
OTT

Studio9 makes OTT debut with Jazz City, marks entry with Sony LIV’s Bengali espionage thriller

March 20, 2026
0

Mumbai: Studio9, the premium content production arm of TV9 Network, has officially entered India’s mainstream OTT space with Jazz City,...

Read moreDetails
Amagi launches AI Artwork Engine, automates multi-platform creative workflows for global streaming
OTT

Amagi launches AI Artwork Engine, automates multi-platform creative workflows for global streaming

March 20, 2026
0

Mumbai: Amagi, a cloud-native SaaS platform powering broadcast and streaming TV worldwide, has unveiled its AI-driven Artwork Generation and Transformation...

Read moreDetails
Prime Video unveils biggest Indian Originals slate at ‘Prime Video Presents 2026’
OTT

Prime Video unveils biggest Indian Originals slate at ‘Prime Video Presents 2026’

March 20, 2026
0

Mumbai: Prime Video has unveiled its largest-ever Indian Originals slate at its ‘Prime Video Presents 2026’ showcase, announcing a lineup...

Read moreDetails

LATEST NEWS

Strategy games jump 57% YoY, while casual and hyper casual climb 37% and 31%

Strategy games jump 57% YoY, while casual and hyper casual climb 37% and 31%

March 24, 2026
Premiumisation today is value-led rather than price-led: Pawanjot Singh, Twirtles

Premiumisation today is value-led rather than price-led: Pawanjot Singh, Twirtles

March 24, 2026

ANALYSIS

Indian sports economy crosses $2 billion mark in 2025, signals structural maturity: WPP Media report
Analysis

Indian sports economy crosses $2 billion mark in 2025, signals structural maturity: WPP Media report

March 23, 2026
0

Mumbai: WPP Media has released the 13th edition of its flagship report, Sporting Nation: Building a Legacy, highlighting a landmark...

PEOPLE

Fashion Entrepreneur Fund appoints Rohit Dhar as Chief Business Officer
People

Fashion Entrepreneur Fund appoints Rohit Dhar as Chief Business Officer

March 23, 2026
0

Mumbai: Fashion Entrepreneur Fund (FEF) has appointed Rohit Dhar as its Chief Business Officer (CBO), strengthening its leadership team as...

MARKETING

Yamaha Music India Appoints A.R. Rahman as Brand Ambassador to strengthen music ecosystem
Marketing

Yamaha Music India Appoints A.R. Rahman as Brand Ambassador to strengthen music ecosystem

March 23, 2026
0

Chennai: Yamaha Music India Pvt. Ltd. has announced the appointment of A. R. Rahman, Academy Award-winning composer and globally acclaimed...

Subscribe to Newsletters

ADVERTISING

Bianca Guimaraes appointed Jury Chair at Abby Awards 2026 Powered by The One Club | The One Show
Advertising

Bianca Guimaraes appointed Jury Chair at Abby Awards 2026 Powered by The One Club | The One Show

March 23, 2026
0

Mumbai: The ABBY Awards 2026 Powered by The One Club for Creativity / The One Show has announced the appointment...

PRINT

Print Industry flags LPG crisis, seeks ‘Essential Service’ tag for newspaper & magazine printing
Media

Print Industry flags LPG crisis, seeks ‘Essential Service’ tag for newspaper & magazine printing

March 21, 2026
0

New Delhi: India’s print media industry has raised alarm over a deepening LPG supply crisis, with leading bodies representing newspapers...

AUTHOR'S CORNER

Pause Ads, Screensaver Ads, and Menu Ads: The New Real Estate in CTV Advertising
Authors Corner

Pause Ads, Screensaver Ads, and Menu Ads: The New Real Estate in CTV Advertising

March 21, 2026
0

Not all ad inventory needs to interrupt something to be effective. In fact, much of CTV's most exciting ad space...

UPLIFT MEDIANEWS4U DIGITAL PVT LTD
No. 194B , Aram Nagar 2, JP Road,
Versova, Andheri West
Mumbai - 400061

For editorial queries:
[email protected]
[email protected]

For business queries:
Smitha Sapaliga - +91-98337-15455
[email protected]

Recent News

VML India appoints Kunal Roy and Shekhar Khanna in leadership roles

VML India appoints Kunal Roy and Shekhar Khanna in leadership roles

March 24, 2026
Strategy games jump 57% YoY, while casual and hyper casual climb 37% and 31%

Strategy games jump 57% YoY, while casual and hyper casual climb 37% and 31%

March 24, 2026
Premiumisation today is value-led rather than price-led: Pawanjot Singh, Twirtles

Premiumisation today is value-led rather than price-led: Pawanjot Singh, Twirtles

March 24, 2026

Newsletter

Subscribe to Newsletters

Medianews4u.com © 2019 - 2025 All rights reserved.

  • The South Side Story 2023 Download Report
  • Goafest 2023: Day 3
  • Goafest 2023: Day 2
  • Goafest 2023: Day 1
  • Straight Talk Gallery 2022
  • The South Side Story 2022 Download Report
  • Focus 2022
  • Futurescope Conclave Gallery 2022
  • The South Side Story 2021 Download Report
  • FOCUS 2021
  • Exclusive
  • Exclusive
  • Advertising
  • Media
    • Radio
    • Cable & DTH
    • Print
    • Digital Frontier
    • Gaming Nexus
  • Television
  • OTT
  • Ad-Tech
  • Marketing
  • Campaigns
  • Analysis
  • Opinion
    • Opinion
    • Think Through
    • Prescience 2023
    • Prescience 2024
  • People
  • Events
    • Leader Speak
    • STRAIGHT TALK
    • Gamechangers
    • Print & TV Summit

Medianews4u.com © 2019 - 2025 All rights reserved.